The Journal of Pan African Studies
works to become a beacon of light in the sphere of African world community studies and research, grounded in a trans-disciplinary open access scholarly peer-reviewed construct, simultaneously cognizant of the multilingualism of our audience, and the importance of universal access in cyberspace; regardless of geography, economic, social or cultural diversity.  

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NAAAS


CURRENT ISSUE

 

Volume 11 • Number 6 • April 2018

 

On the cover: 2016 Black Arts Movement Conference poster by Dwayne D. Conrad

 

Dedication
[ view PDF ]

 

A Tale of Two Conferences
by Kim McMillon
[ view PDF ]

 

Dedication of Light to Amiri Baraka
by Kim McMillon
[ view PDF ]

 

Poetry

A Tribute to Amiri Baraka
by Adilah Barnes
[ view PDF ]

 

A California Love Story
by Jasmine Marshall Armstrong
[ view PDF ]

 

I Know We Can!!!,
Solid As A Rock (Dura Como Una Piedra).
My Last Will and Testament

by Avotcja
[ view PDF ]

 

Honoring A Man of Greatness
by Poetess Kalamu Chaché
[ view PDF ]

 

The Cradle of Man and Blues for Amiri
by Genny Lim
[ view PDF ]

 

Remembering Our Libraries
by Kim McMillon
[ view PDF ]

 

Spider Woman and the Twin War Godz
Lynching Tree Memory
Cotton & the Lynching Tree Gang
by Ayodele Nzinga
[ view PDF ]

 

He Shout!!
Tribute to Amiri Baraka
by Lakiba Pittman
[ view PDF ]

 

Kwansaba: Poets Sonia Sanchez & Jessica
Care Moore Fly to Planet Ferguson 2015
by Eugene Redmond
[ view PDF ]

 

That We May Resurrect
by Gloria Jean Sewell-Murphy
[ view PDF ]

 

Coming of Age in BAM
BAM & Mona Lisa Saloy
by Mona Lisa Saloy
[ view PDF ]

 

More Than Skin-Deep: The Candaces, Autumn in New York, A Jury of Her Peers, Ebb Tide/Autumn Rain, Candace/1, Candace 2/A Profile
by Askia M. Touré
[ view PDF ]

 

Those Left Behind
by Charlotte Hill O’Neal aka Osotunde Fasuyi
[ view PDF ]

 

Essays

A Subaltern Black Woman Sings the Blues: A Blues Aesthetic Analysis Sherley Anne Williams’ Poetry
by Jasmine Armstrong
[ view PDF ]

 

Black Social Movements Past and Present: A Comparative Analysis of the Black Arts Movement and the Hip Hop Movement
by J. Vern Cromartie
[ view PDF ]

 

Black Arts Movement and the Black Aesthetic: Where Do We Go From Here?
by Joyce A. Joyce
[ view PDF ]

 

Whatever Happened to Carolyn M. Rodgers?
by Judy Juanita
[ view PDF ]

 

Black Feminism, The Ancestors Speak, and the Women of the Black Arts Movement
by Kim McMillon
[ view PDF ]

 

Belle New Orleans: The History of Creole Cuisineres
by Zella Palmer
[ view PDF ]

 

The Aesthetics of Blackness: Theology, Aesthetics & Blackness in the Black Arts Movement Western Aesthetics and Blackness
by Damon Powell
[ view PDF ]

 

Black Death: the Long Riotous 60s, Henry Dumas, and Resurrection
by Casey Rocheteau
[ view PDF ]

 

La indigena: Risky Identity Politics and Decolonial Agency as Indigenous Consciousness
by Iris Deana Ruiz
[ view PDF ]

 

Sweeping Conversations: Julie Dash’s Daughters
by Wanda Sabir
[ view PDF ]

 

“That’s Where Sarah Vaughn Lives”: Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity
by James Smethurst
[ view PDF ]

 

Dawn-Song and the "Evolution of the Black Aesthetic" An Outline of A Few, Key Concepts/Archetypes/Metaphors
by Askia M. Touré
[ view PDF ]

 

Learning from Undergraduates
by Jerry W. Ward, Jr.
[ view PDF ]

 

Modern Painting, the Black Woman, and Beauty Ideologies: Carrie Mae Weems’ Photographic Series Not Manet’s Type
by Kelsey Rae Winiarski
[ view PDF ]

 

Art

Black Arts Movement Poetry Broadsides: Columbia College Chicago Students
by D. Denenge Akpem
[ view PDF ]

 

Photographs from the Dillard University-Harvard's Hutchins Center Black Arts Movement: Black Power and Struggle for Civil Rights Documentary Photo Exhibit
by Doris Derby
[ view PDF ]

 

Speech From Loss Collaborations
by Jennifer Harge and Rodney A. Brown
[ view PDF ]

 

University of California, Merced
[ view PDF ]

 

Dillard University-Harvard’s Hutchins Center Black Arts Movement Conference
photography by Eric Waters
[ view PDF ]

 

Photos from Black Arts Movement events held by Marvin X, the co-founder of the West Coast branch of the Black Arts Movement
[ view PDF ]

 

Quincy Troupe and Michael Simanga
[ view PDF ]

 



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